TY - GEN
T1 - Boiling Mind
T2 - 15th International Conference on Tangible, Embedded, and Embodied Interaction, TEI 2021
AU - Sugawa, Moe
AU - Furukawa, Taichi
AU - Chernyshov, George
AU - Hynds, Danny
AU - Han, Jiawen
AU - Padovani, Marcelo
AU - Zheng, DIngding
AU - Marky, Karola
AU - Kunze, Kai
AU - Minamizawa, Kouta
N1 - Funding Information:
We would like to thank the Session House Theater for performance space. Especially choreographer Naoko Ito, Mademoiselle Cinema dancers as well as Stage staff for providing us with the necessary support for this project. We also want to thank Dr. Jamie Ward, Goldsmiths, London, for his continuous support. This work is also partly supported by JST CREST Experiential Supplements Grant No. JPMJCR16E1.
Publisher Copyright:
© 2021 ACM.
PY - 2021/2/14
Y1 - 2021/2/14
N2 - In stage performances, an invisible wall in front of the stage often weakens the connections between the audience and performers. To amplify this performative connection, we present the concept "Boiling Mind". Our design concept is based on streaming sensor data related to heart and electrodermal activities from audience members and integrating this data into staging elements, such as visual projections, music, and lighting. Thus, the internal states of the audience directly influence the staging. Artists can have a more direct perception of the inner reactions of audience members and can create physical expressions in response to them. In this paper, we present the wearable sensing system as well as design considerations of mapping heart and electrodermal activity to changes in the staging elements. We evaluated our design and setup over three live performances.
AB - In stage performances, an invisible wall in front of the stage often weakens the connections between the audience and performers. To amplify this performative connection, we present the concept "Boiling Mind". Our design concept is based on streaming sensor data related to heart and electrodermal activities from audience members and integrating this data into staging elements, such as visual projections, music, and lighting. Thus, the internal states of the audience directly influence the staging. Artists can have a more direct perception of the inner reactions of audience members and can create physical expressions in response to them. In this paper, we present the wearable sensing system as well as design considerations of mapping heart and electrodermal activity to changes in the staging elements. We evaluated our design and setup over three live performances.
KW - Audience engagement
KW - Embodiment
KW - Interactive Dance performance
KW - Physiological signals
UR - http://www.scopus.com/inward/record.url?scp=85102082754&partnerID=8YFLogxK
UR - http://www.scopus.com/inward/citedby.url?scp=85102082754&partnerID=8YFLogxK
U2 - 10.1145/3430524.3440653
DO - 10.1145/3430524.3440653
M3 - Conference contribution
AN - SCOPUS:85102082754
T3 - TEI 2021 - Proceedings of the 15th International Conference on Tangible, Embedded, and Embodied Interaction
BT - TEI 2021 - Proceedings of the 15th International Conference on Tangible, Embedded, and Embodied Interaction
PB - Association for Computing Machinery, Inc
Y2 - 14 February 2021 through 19 February 2021
ER -