Performing and narrating selves in and through classical music being ‘Japanese’ and being a professional musician in London

Research output: Chapter in Book/Report/Conference proceedingChapter

Original languageEnglish
Title of host publicationCollaborative Intimacies in Music and Dance
Subtitle of host publicationAnthropologies of Sound and Movement
PublisherBerghahn Books
Pages44-61
Number of pages18
ISBN (Electronic)9781785334542
ISBN (Print)9781785334535
Publication statusPublished - 2017 Jan 1

Fingerprint

musician
music
narrative
Classical music
Musicians

ASJC Scopus subject areas

  • Arts and Humanities(all)
  • Social Sciences(all)

Cite this

Imoto, Y. (2017). Performing and narrating selves in and through classical music being ‘Japanese’ and being a professional musician in London. In Collaborative Intimacies in Music and Dance: Anthropologies of Sound and Movement (pp. 44-61). Berghahn Books.

Performing and narrating selves in and through classical music being ‘Japanese’ and being a professional musician in London. / Imoto, Yuki.

Collaborative Intimacies in Music and Dance: Anthropologies of Sound and Movement. Berghahn Books, 2017. p. 44-61.

Research output: Chapter in Book/Report/Conference proceedingChapter

Imoto, Y 2017, Performing and narrating selves in and through classical music being ‘Japanese’ and being a professional musician in London. in Collaborative Intimacies in Music and Dance: Anthropologies of Sound and Movement. Berghahn Books, pp. 44-61.
Imoto Y. Performing and narrating selves in and through classical music being ‘Japanese’ and being a professional musician in London. In Collaborative Intimacies in Music and Dance: Anthropologies of Sound and Movement. Berghahn Books. 2017. p. 44-61
Imoto, Yuki. / Performing and narrating selves in and through classical music being ‘Japanese’ and being a professional musician in London. Collaborative Intimacies in Music and Dance: Anthropologies of Sound and Movement. Berghahn Books, 2017. pp. 44-61
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