TY - JOUR
T1 - Perception of Japanese Pitch Accent without F0
AU - Sugiyama, Yukiko
N1 - Funding Information:
I would like to thank Rob van Son for his kind assistance with Praat scripts to create edited speech. I am also thankful to Shigeto Kawahara for helping me with signal detection analysis and running linear mixed models on the perception data and Jason Shaw for insightful discussions. I am also obliged to Doug Roland for help with linear mixed models and Jeff Moore for reading the draft. This research was supported by the Japan Society for the Promotion of Science Grant-in-Aid for Young Scientists (B) No. 23720212.
Publisher Copyright:
© 2017 S. Karger AG, Basel.
PY - 2017/5/1
Y1 - 2017/5/1
N2 - Phonological contrasts are typically encoded with multiple acoustic correlates to ensure efficient communication. Studies have shown that such phonetic redundancy is found not only in segmental contrasts, but also in suprasegmental contrasts such as tone. In Japanese, fundamental frequency (F0) is the primary cue for pitch accent. However, little is known about its secondary cues. In the present study, a perception experiment was conducted to examine whether any secondary cues exist for Japanese accent. First, minimal pairs of final-accented and unaccented words were identified using a database, resulting in 14 pairs of words. These words were then produced by a native Tokyo Japanese speaker, and presented to participants in both unedited and edited forms. Edited speech stimuli were created by replacing F0 in the natural speech stimuli with white noise. While word identification by Tokyo Japanese speakers had higher accuracy for natural speech than for edited speech, the accuracy exceeded the chance level for edited speech, suggesting the existence of secondary cues for Japanese accent. Acoustic analysis of the stimuli revealed that relative mean amplitude and relative maximum amplitude were greater for final-accented words than for unaccented words.
AB - Phonological contrasts are typically encoded with multiple acoustic correlates to ensure efficient communication. Studies have shown that such phonetic redundancy is found not only in segmental contrasts, but also in suprasegmental contrasts such as tone. In Japanese, fundamental frequency (F0) is the primary cue for pitch accent. However, little is known about its secondary cues. In the present study, a perception experiment was conducted to examine whether any secondary cues exist for Japanese accent. First, minimal pairs of final-accented and unaccented words were identified using a database, resulting in 14 pairs of words. These words were then produced by a native Tokyo Japanese speaker, and presented to participants in both unedited and edited forms. Edited speech stimuli were created by replacing F0 in the natural speech stimuli with white noise. While word identification by Tokyo Japanese speakers had higher accuracy for natural speech than for edited speech, the accuracy exceeded the chance level for edited speech, suggesting the existence of secondary cues for Japanese accent. Acoustic analysis of the stimuli revealed that relative mean amplitude and relative maximum amplitude were greater for final-accented words than for unaccented words.
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U2 - 10.1159/000453069
DO - 10.1159/000453069
M3 - Article
C2 - 28384645
AN - SCOPUS:85017675479
SN - 0031-8388
VL - 74
SP - 107
EP - 123
JO - Phonetica
JF - Phonetica
IS - 2
ER -